The New York Times, Yoko Ono and the Women of Fluxus Changed the Rules in Art and Life, by Martha Schwendener

Artsy, 15 Leading Curators Predict the Defining Art Trends of 2024, by Maxwell Rabb

Brooklyn Rail, Out of Bounds: Japanese Women Artists in Fluxus, by Jenny Wu

The New York Times, Maverick Minimalist, Gallerist, Global Citizen, by Holland Cotter

Vogue, CFGNY: ’90s Nostalgia at the Japan Society, by Irene Kim

The New York Times, A Fashion Show That Widens the Lens on Asian Identity, by Whitney Mallett

The New Yorker, Japanese Woodblock Prints in the Modern Age

ARTnews, How Japanese American Artist Kyohei Inukai Forged a New Path for Abstraction by Looking to the Past, by Xintian Wang

The Architect’s Newspaper, 2018 Best Exhibition Design

Artforum Critics’ Picks, Arakawa and Madeline Gins: Eternal Gradient by Elvia Wilk

Art In America, We Have Decided Not to Die, by Matthew Shen Goodman

PIN—UP Magazine, Drawn to Life: The Early Work of Arakawa and Gins, by Nolan Boomer

By Nolan Boomer

Frieze, Madeline Gins’s Visionary Cybernetics, by Lucy Ives

Disegno

The New Yorker

Urban Omnibus

Metropolis Magazine, Manhattan’s Japan Society Explores Artists Kazuko Miyamoto’s Relationship with her Studio Architecture, by Osman Can Yerebakan